By Morris Beja, Anne Fogarty
June sixteen, 2004, used to be the single hundredth anniversary of Bloomsday, the day that James Joyce's novel "Ulysses" occurs. To rejoice the party, millions took to the streets in Dublin, following within the footsteps of protagonist Leopold Bloom. the development additionally was once marked via the Bloomsday a hundred Symposium, the place world-renowned students mentioned Joyce's seminal paintings. This quantity includes the simplest, such a lot provocative readings of "Ulysses" provided on the convention. The individuals to this quantity urge an in depth engagement with the radical. they provide readings that spotlight variously at the materialist, old, and political dimensions of Ulysses. the variety of themes coated contain nineteenth-century psychology, army historical past, Catholic theology, the effect of early movie and song corridor songs on Joyce, the post-Ulysses evolution of the one-day novel, and the problem of discussing any such complicated paintings among the ocean of extant feedback
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There is thus an ironic juxtaposition between the combination of intemperance, xenophobia, and venality represented by Kernan and the discarded announcement of the Messiah made by the passing throwaway, itself a product of the America made of the sweepings of every other country. 1097–98). The location is important, because here we are at the mouth of the Liffey, a place that figures throughout Joyce’s work as the center of his symbolic universe, the site of both mythic origin and end. The word archipelago, which occurs here for the first of four times in Joyce, is not chosen innocently, for it has a bearing on both the origin and the fragmented form of Joyce’s text, while it also has a history ridden with debris.
Was introduced by Ernst Heinrich Weber and was studied intensively in the laboratory by Gustav Fechner and Wilhelm Wundt, the latter of whom was active and influential during Joyce’s youth. 3. For a more recent treatment, see Hilgard 109–11. My thanks to my colleague Professor Stuart Vyse, of the Connecticut College Psychology Department, for recommending this book and for reviewing the manuscript. 4. Kenner’s quotation comes from Muriel Beadle, The Cat. 5. For evidence that Ulysses keeps careful track of the sun’s position at any given hour and accurately registers the likely effects of glare and shadow, see chapter 10, “Dublin: Sun, Moon, Stars,” of my Joyce and Reality (122–37).
The French expression “faire litière de quelque chose” means literally to trample something underfoot, but figuratively to scorn or disregard it. ” This is one way to account for Joyce’s insistence on the radical materiality of language, on its status as both vocal utterance and the trace on the page, or, as he puts it, as both “vocable scriptsign” and “stinksome inkenstink” (183). Let us recall that the Wake’s archetypal poet-figure, Shem the Penman, himself lives in a dump of a place, where the rubbish of verbiage is indistinguishable from bits of food and other litter.
Bloomsday 100 : essays on Ulysses by Morris Beja, Anne Fogarty