By George Aichele, Tina Pippin, Jack Zipes
This arguable ebook explores the presence of the glorious in Biblical and similar texts, and the impression of Biblical traditions on modern delusion writing, cinema, track and art.
The participants practice numerous severe strategies and techniques from the sphere of delusion reviews, together with the theories of Tolkien, Todorov, Rosemary Jackson and Jack Zipes, to Biblical texts and problem theological suppositions in regards to the texts which take shelter in technology or historiography.
Violence, Utopia and the dominion of God offers a provocative and arresting new research of Biblical texts which attracts at the most modern serious techniques to supply a special research of the Biblical narrative.
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Extra info for Violence, Utopia and the Kingdom of God: Fantasy and Ideology in the Bible
In Sheila Finchs Triad (1986), once one realizes that Omareemee is a garden world maintained by a forbidding god-like race, that the motherly computers prohibition against the native fruit is based on thinking of the humans as child-like, and that the search for heterosexual union underlies the character relations, it becomes clear that the pattern will work itself out in a consumption of the fruit leading to a new world order with a new kind of sexuality and increased mental powers. And so it does.
As Rapunzel is now the appropriate age of twelve, she should receive a man. Although this constitutes a violation of the witchs rules, after enough time passes, all is restored, and Rapunzel and the prince go off, not only fertile with their twins but to a much higher social position than Rapunzels mother occupied. In short, just as in Genesis, the eating of forbidden fruit strengthens the character, and as in the Eden Complex generally, power (in this case both female fertility and social status) pass from one generation to the next.
The body itself (and Bakhtin is an important contributor to the renewed interest in the body in postmodern criticism), especially as a grotesque form, plays a crucial role in both Bakhtins work and in the imagery of Guns n Roses (and other metal bands). Bodily parts are paraded forth in carnivalesque literature, often with a reference to genitals: bowels, genitals, buttocks, stomach, womb, mouth and nose are all interrelated (nose and mouth being standard transferred loci for penis and vagina).
Violence, Utopia and the Kingdom of God: Fantasy and Ideology in the Bible by George Aichele, Tina Pippin, Jack Zipes